Sunday, March 17, 2019
The Evolution of Minorities in Film Essay -- Movie Film Essays
The Evolution of Minorities in FilmBack in the 1800s, when calculating the population, African Americans were counted as 3/5 of a mortal (Antonia, p2). One would think that in the past two hundred old age peoples beliefs would have changed a little bit, exactly the worldwide white public are stuck into believing the common stereotypes commonly represent in movies. In films and television shows blacks are near always pictured as murderers, robbers, rapists, pretty much anything negative, like American History X, for example. twain black men are shown breaking into a white human beings car. People see this, and in turn believe that completely black men will savour and steal their car as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. Very rarely, if ever, is it possible to see a minority render as a hero-type figure. Every once in a while, thither will be an independent film from a minority director, but as S chultz states in Lyons piece, We blacks are still being ghettoized in Hollywood, a serious black project of any scope is as difficult to get marketed today as it was in the 70s. By reservation a barrier to entry for minorities in the film industry, its almost as if America is trying to keep black films out of the prevalent media. At first glimpse, it may appear that minorities are very intemperately to be seen in the filming industry, when in reality, they are becoming more and more apparent in Americas mainstream media culture, particularly in action movies. MacDonald stated in Allan Smiths essay, American potty culture continued to operate as an assimilative force, seeking to cite social stability while gradually merging people of contrary backgrounds into the cult... ...ral trend of how minorities are making a bigger and bigger contact on American mainstream culture. All America can do is grin and be content at the fact that minorities are finally acquire the respect they deserve.Works CitedAntonia, Kathleen. A Lesson Before Living Humanist, March/April 2001, tawdriness 61 take 2, p.43. Beck, Bernard. What Price Glory? Multicultural Perspectives, 1999, Volume 1 Issue 1, p.26.Brinkley, Douglas. Edward Nortons Primal Fear George, October 1998, Volume 3 Issue 10, p.110.Lyons, N.L. From Race Movies to Blaxploitation to Homeboy Movies AmericanVisions, February 1992, Volume 7 Issue 1, p. 42.Smith, Allan. Seeing Things Race, Image, and theme Identity inCanadian and American Movies and Television Canadian reappraisal of American Studies, Autumn 1996, Volume 26 Issue 3, p. 367.